Good morning and Happy Passover/Happy Easter to all who are celebrating this weekend! The quilt I'm sharing today was made by my client Janet in a Kintsugi workshop taught by Pepper Cory. (You can read more about kintsugi, the ancient Japanese art of repairing broken pottery with gold, and how Pepper translates this idea into quilting, on Pepper Cory's blog here).
Detail of Janet's Kintsugi Quilt with Geoglyph E2E |
If you don't have time for the in-depth read, here are the basics: When you take this class with Pepper, you bring in an assortments of similar orphan blocks, incomplete and no longer loved projects you don't feel like finishing, and other odd bits and pieces ("shards") you might have lying around your studio. Pepper guides students to create a layout with an abstract, modern art feel and teaches how to "glue" those pieces together with yardage of a complementary background fabric that acts as the golden lacquer to hold everything together and create a finished work that is more beautiful than all of its bits and pieces were on their own. Janet chose a Moda Grunge fabric (this post contains affiliate links) for her background that sets off her bright, scrappy blocks and string strips.
Detail of Janet's Kintsugi Quilt with Geoglyph E2E |
Janet's Kintsugi quilt is quite large, 88" x 88", with ample negative background space. We chose a modern digital panto design by Jess Zeigler called Geoglyph that mimics extensive ruler work quilting, and when I set the design up in my computer I flipped, mirror-imaged, and staggered the rows of the design so that there is no traditional design repeat on the entire quilt.