Finishing the Last Petal! |
Only enough of this fabric for two blocks |
All 9 Blocks on the Wall |
Once I had pieced together all of the block backgrounds, it was time to turn my attention to the stems.
Stem Factory with the Clover 1/4" Bias Tape Maker |
I made all 32 of my stems with that little Clover tool a few days ago, cutting half inch strips of fabric on the straight of grain and then feeding them through the big end of the little green gizmo with the iron riding along next to the skinny end to press the stems flat as the folded fabric came out. The long strips of fabric came out nice and flat and smooth, like magic, and I cut them into 6" stems for my blocks. I put all of my stems into a Ziplock baggy in case humidity in the air might soften the creases overnight, but in the morning I found that they had all started opening up anyway and needed to be pressed again before I could use them. Grrr! I wonder if starching the fabric ahead of time would have helped with that, or if you just really need to use the stems immediately after making them? I don't recall having this issue when I made the stems for my first block, but that was a year ago and I was only making the four little stems at that time, not a whole batch of them. I probably took them straight from the ironing board and glued them to the block immediately. Having to fiddle with the turned edges and press each stem again before using it is really slowing me down.
So anyway, I made myself a bunch of little stems, and now I'm trying to glue baste them to the blocks with my handy dandy vinyl placement overlay as per the Piece O'Cake method. Except that once I have my stems positioned just right, I have to lift the overlay and lift the stems themselves in order to glue them in place and they keep MOVING! This is SO not working. There has to be an easier way. I considered using my my light box with the vinyl drawing UNDER my block, but my light box is too small to fit the entire block and I can't see through the brown fabrics well enough, anyway. I did press diagonal crease lines in my blocks but they aren't helping much because I can't see the creases under the bright light at my work table and I can't feel the creases through the vinyl overlay. So I'm just plodding along this way, getting the stems glued down as accurately as I can, and hoping for the best!
There MUST be an Easier Way... |
-- Ooh, I just this minute had an epiphany! Maybe it would be easier and better in the long run if I waited to add the stems until AFTER I had stitched my stacked petals to the block backgrounds? Then the stems won't be in the way when I'm needle turning the petal edges adjacent to them, and I can use the edges of the petals and the diagonal crease lines to position the stems instead of trying to fiddle around with the overlay? See, that's why I blog about this stuff even if no one else is reading it. Sometimes I can stare at a problem and think about it all day long, and the answer doesn't come to me until I wrestle with it in writing.
New plan! I'm going to stitch the stems down on the two blocks that I have already glue basted. Then I'm going to starch the rest of the stems, press them super flat, and store them in a Ziplock bag with all of the air squeezed out of it so that hopefully they stay flat. And then I'm going to:
- Pin and needle turn all of my stacked petals to all of my blocks
- Glue baste and stitch all of my stems to all of my blocks
- Make all of my stacked circle centers off block (starch and press prepared applique with circle templates)
- Glue baste and stitch all of my centers to all of my blocks
- Make the reverse appliqued tulips off block
- Needle turn all of the tulips to all of my blocks
- Needle turn all of my leaves to all of my blocks
- Make all of my broderie perse rose buds off block using glue stick and Jeanne Sullivan's Patch Back product (thank you, Jeanne!)
- Glue baste and stitch all of my rose buds to all of my blocks
- Make all of my fussy-cut stuffed berries off block using circle templates
- Glue baste and stitch all of my stuffed berries to all of my blocks
Gene Kelly in Singin' In the Rain (1952) |
I'm linking up with Let's Bee Social at Sew Fresh Quilts, WIPs on Wednesday at Esther's Blog, and Needle and Thread Thursday at My Quilt Infatuation. Happy Thursday, happy stitching, and have a great weekend, everyone!
I love your handwork! I simply don't have the patience for it but yours is gorgeous. I love the mix of fabric you've chosen.
ReplyDeleteThe block is gorgeous and your colour choices are perfect, to me. I wouldn't change a thing. It might help to put your stems in, or under, a heavy book until you're ready to use them. Kind of like pressing a flower. It works for me. Can't wait to see more of this quilt. I'm also curious about the other quilt on your design wall. I'll just have to wait. Thanks for stopping by my blog.
ReplyDeleteThis is just beautiful! Yes... A LOT of work and time. But so worth it!
ReplyDeleteI just came on to say I'd put the stems under a heavy book, but I was beaten to it!
ReplyDeleteHi
ReplyDeleteI used that nifty Clover tool too. Somewhere I had read that right after you press it to tightly wind it around a tube. I had one about the width of a paper towel tube but much sturdier. I live in a super humid area and things do unpress themselves, sometimes in a matter of hours. I also used sizing. Anyway, it worked and those edges at stayed under. Good luck!
Love your project.
When you make the stems with the Clover tool, immediately wrap the long stems around an empty paper towel roll and put a pin through the end, straight into the cardboard to secure them. Don't wrap the stem in a spiral, wrap it on top of itself. The pressed edges will stay creased that way. Then cut off what you need as you make each block. Also, you might run into trouble if you put leaves on first without the stems in place. As you applique, the fabric moves a bit and you might not have enough room to place the stems in between the leaves. I would not want you to have to remove some leaves to get the stems placed correctly - although, reading what you would write about that would be fun! I enjoy reading your posts and your block is lovely.
ReplyDeleteA lady with a plan! I like how you fussy cut those circles. Well thought out.
ReplyDeleteSometimes it seems you just have to let things stir around in your head before you come up with a plan. Hope it works just as you hope.
ReplyDeleteBossy applique girl here again ;). You can skip a number of steps in your list above by using a bit different method for doing your applique. I mark the background fabric with a water erasable blue marker. I make only one paper template of each shape, cut the fabric around the shape (no glue, or basting each piece to a paper template) place it on the background fabric and needle turn it to the marks on the background. Placing your stems onto the background would be really easy doing it this way. I have never liked the vinyl overlay method - it take too much time to keep going back to that and trying to place each piece. This method really saves a lot of prep time. This is Nancy Lee Chong's method and she has a great DVD that shows her needle turn method. I have taken classes from her - she is the best around. Once I started using her methods, I saved a ton of time and have beautiful results. I will stop talking now . . . . . .
ReplyDeleteSo many great ideas! I have seen others online using a similar method to the one you describe, pjpquilts, but I'm not sure I fully understand that process. First of all, what about background fabrics that don't show the blue marker very well? I'm in a humid climate as well and sometimes that blue marker will fade out on me from humidity before I'm ready for them to disappear. When you mark the design lines on the block background, do you still mark the turning line on the applique fabric as well? If so, how do you perfectly align the lines on the unturned applique shapes with the lines on the block background? If no turning lines are marked on the applique shapes, how do you finger crease along the turning line to get smooth curves? Or is the marked background method only for prepared applique? I tried another quilt using the prepared starch and press method and I see how I could mark the design on the background with that method, but the whole point of my FrankenWhiggish Rose project is to learn needle turned applique. But I may have one of Nancy Lee Chong's books in my library -- I'm going to look for it now. Thanks for all of the great suggestions, everyone, and thanks for stopping by!
ReplyDeleteI'm like you, Rebecca: when I write about a problem I seem to be able to see it differently or see another solution to a problem.
ReplyDeleteYour quilt is looking great. You're having a lot of challenges with it but you're learning so much, too! I've read the other comments and I think wrapping the bias tape around a tube might be the trick to keeping it creased. When I buy bias tape at the store it's always on a card, held tightly in place. That may be the trick.
Thinking about your stems and the clear overlay.... I don't know the glue you're using and how forgiving it is but could you put glue on a stem, then lift a corner of the overlay and use it to guide the stem in place as you lower the overlay? Another idea (that may not work) is to place tiny pinhead size holes in two places on the overlay. If you work on an ironing board or corkboard you would be able to place the stems under the overlay, then stick pins in the holes to hold it in place.
I hope you enjoyed "Singin' in the Rain." It's not often we get to see old/classic movies on a big screen these days. Fun!
Hi Rebecca,
ReplyDeleteI do not mark anything on the applique pieces themselves, I just cut the applique piece using the template, adding the seam allowance - no further preparation of the applique piece is needed. I do not finger press beforehand - I do all the turning under with the needle. If the background is dark, I use the white iron away marker by Clover. Nancy Lee Chong uses a chalk marker to draw the pattern on the background. I live just outside of Seattle and have never had a problem with the blue lines going away, but I don't have the high summer humidity of other parts of the country. Did you find one of her books on your shelf? I would order her DVD - http://www.prqc.com/videos.htm#2FAQ-video. This one shows her two fabric applique patterns along with complete instructions for her hand applique technique. Or better yet, take an applique class if she comes to a guild close to you. I enjoy my applique so much more now that I do it this way - saves me a ton of time and I get beautiful results. You could start with a piece of muslin, draw some simple leaf shapes and applique some fabric onto it. Good Luck.
I really feel I should do more sewing and less reading about it! I get so wrapped up in your "journey" with the block, it seems pointless to actually do it. Not really, but I love your style of writing. I was also going to say to weight your Baggie down with a book, but as an older person, I would add - be sure to remember what book you put it under! Thanks for the chuckles. Donna Driver in beautiful Fall City, Washington - the state.
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